Monthly Archives: October 2015

Robert Fludd’s 1618 “water screw” perpetual motion machine from a 1660 wood engraving. This device is widely credited as the first recorded attempt to describe such a device in order to produce useful work, that of driving millstones. Although the machine would not work, the idea was that water from the top tank turns a water wheel (bottom-left), which drives a complicated series of gears and shafts that ultimately rotate the Archimedes’ screw (bottom-center to top-right) to pump water to refill the tank. The rotary motion of the water wheel also drives two grinding wheels (bottom-right) and is shown as providing sufficient excess water to lubricate them.

Bonseki (盆石; lit., tray rocks) is the ancient Japanese art of creating miniature landscapes on black lacquer trays using white sand, pebbles, and small rocks. Small delicate tools are used in Bonseki such as feathers, small flax brooms, sifters, spoons and wood wedges. The trays are either oval or rectangular, measuring about 60 by 35 centimeters in size. Oval trays have a low rim while rectangular ones are flat.

Bonseki scenes often depict mountains, seashores, and gardens. Small stones are used to represent mountains, shore lines or rocky islands that waves break upon. Miniature structures, usually of painted copper, are sometimes added to the work to make houses, temples, bridges, and the like.

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Somebody must have forgotten to pass me the memo…..I have just discovered the paintings of Ardunio Cantafora, the swiss-italian architect and painter who was tutored by Aldo Rossi and is influenced by de Chirico and The Ideal City period painters.

The paintings beautifully capture conditions of time in still frames / multiple frames.

And they feel very local to Italy somehow…..